Thursday, September 30, 2010

Henrietta and the Flying Car



[caption id="" align="alignright" width="300" caption="Image via Wikipedia"]A Saturn V rocket on display at the U.S. Space...[/caption]


I was fourteen and we were on our annual trek to Huntsville, Alabama to space camp. Loaded in our two-tone, gray and blue, GMC crew-cab with camper, were my mother, two little sisters, little brother, and best friend Mark Taylor.

My mom decided we should stop in Henrietta, Oklahoma to visit her aunt Wanda. Henrietta is an unremarkable town, its only claim to fame Troy Aikman, a former Cowboys quarterback.  It is a small town of small houses with peeling paint and cracked sidewalks and unmanaged lawns, a town of potholes, of worn-away blacktop and exposed cobblestone roads.

I didn't want to see my mother's aunt. I thought that this town offered me nothing; Wanda didn't have cable or even a VCR so I couldn't escape into a science fiction movie. What could possibly interest me in the middle of a small Oklahoma town? After all, I was on my way to space camp. I was preparing to go to the Moon, to go to Mars, to enter the Brave new World I had seen in countless science fiction movies or read about in books. There could be nothing in this little town for me. Nothing.

We passed one dreary little street after another as my mother tried to remember where her aunt's house was: streets named Maple, and Birch, and Elm, and Spruce, ticky-tacky  tiny streets that made the truck rumble as we hit the cobblestones.

As we passed yet another street undoubtedly named for a tree, I saw it, my dream, what I'd been waiting my whole life to see a flying car. The first flying car should not have been in Oklahoma... what could "Oakies" possibly have to do with flying cars, and yet, there it was in Henrietta.  For the rest of the time my mother spent looking for her Aunt's house, I could talk of nothing else. I knew I had seen the flying car.

Mark confirmed he had seen it.  Ever the skeptic, "undoubtedly a gag," he said. My brother and sisters were asleep, and my mother's eyes were fixed to road, dodging potholes, so she had missed it.

We found Wanda's house and my mother, meaning well, but none-the-less Marquis De Sade like, made me sit at the dining room table, politely talking with my relatives. They asked me about soccer and baseball and school and girls. Who the hell had time for any of these? There was a flying car three blocks away. I answered their questions as politely and quickly as possible, not wanting to strike up a conversation. I had to leave.  I had to go see who had invented this, who was building this, who was dreaming, who was the visionary.

After a daylong half hour, my mother finally let Mark and I go. We ran as quickly as possible to the place; the place we had seen the car. It seemed like it took forever, but we were there, and it was beautiful: twelve feet around, like a giant Frisbee, smooth as glass and white as porcelain.

Behind the car was an unassuming building. It could have been a handyman's shop, or a place where they fix lawnmowers or a junk store, but it was the corporate headquarters for the inventor of the flying car. Stenciled on the front windows of the building were the words "want to know what this is? Come on in and ask." We did.

The man inside wasn't a mad scientist, an engineer, or even a nerd. He had been a diesel mechanic and good at fixing things, and now he was a dreamer " his dream to build the flying car. He couldn't tell me how it worked, but he said no one could explain how the Frisbee worked either, so that was okay. Knowing that you had a dream, and knowing that you had faith was all that was important in life. Faith was a lever you see, and you could use it to achieve anything.

I was hooked. I had to have one of the cars. I needed to know how much they cost and when they would be ready. He handed me a mimeographed timetable time table and explanation of cost. Right there is blue ink still smelling of ditto fluid, it said his first prototype would be available in two years, after my sixteenth birthday. The car would only cost seventy-five hundred dollars.

Never mind how a fourteen- year-old was going to come up with seventy-five-hundred dollars, never mind he hadn't actually built one yet, never mind the flying car in front of his shop was made of plaster and chicken wire... the important thing was, they were finally here.

The flying car was finally here, and it hadn't taken science or math, or even space camp. The dream was coming to life and all it took was faith. I spent the next two years of my life dreaming of owning the flying car, and planning how to buy it. Buying it would be the easy part.

When I was seven my father bought a brand new 1977 Fiat Spider turbo convertible.  I was in love, the day we drove it home from the dealer I asked if I could have the Fiat when I turned sixteen.  He laughed, and assured me that we wouldn't have it then, even though he thought everyone should earn their own car, if by chance the car was still around when I turned sixteen, I could have it.

At seven, I became a maintenance Nazi, continually reminding my dad to have his oil changed, to check the fluids when we gassed, and on almost every sunny day I washed and waxed the car.

Now that I was approaching sixteen, by chance we still had the car. On my birthday my father would give me the keys to my seven"year"old dream and I knew I would sell this old dream for my new one. I would give up my convertible for my flying car.

The flying car of Henrietta, Oklahoma, never got off the ground; well at least it never flew into production or off the assembly line. And when I turned sixteen, there was no flying car for me to buy.

That didn't discourage me though  I enjoyed   driving my little blue convertible, but even more I enjoyed dreaming of my flying car. I enjoyed dreaming of letting my earthbound tires fall away, and of escaping another day, flying over roads, over roads and fields, effortlessly, freely away from Oklahoma, away from people, away from anyplace at all.



Tuesday, September 28, 2010

Zombies and Steampunk signs of Distopia



[caption id="" align="alignright" width="300" caption="Image via Wikipedia"]Toronto Steampunk society Distillery District Roam[/caption]


I stumbeled across this interesting read which looks at the  reasons behind the popularity of zombies and Steampunk. I think the author hits the nail on the head, both are by products of an underlying sense of ditopia.

Take a look and tell me what you think.

Our imaginations are caught between two unstoppable empires: the retrofuturistic world of steampunk, and the shambling hordes of zombies. The only thing more popular than a steampunk world or a zombie world is steampunk with zombies [see poster above]. But what’s next?

When I think about these two strands of speculative fiction culture, it occurs to me that our love of steampunk and our fascination with zombies are two sides of the same coin. The rest of the story.

Monday, September 27, 2010

Zombies, and they'll pay for it



[caption id="" align="alignright" width="300" caption="Image via Wikipedia"]Zombies from The Beyond[/caption]


If anyone has a zombie story kicking around in their head here's a good link for you. http://thezombiefeed.biz/the-zombie-feed-accepting-submissions-for-zombie-novellas-and-novels/ They have an open call for zombie stories. So if you're up for it why not take a bite out of your fiction.

I think I'll try a steampunk zombie tale, or maybe a zombie western. I have to wonder though how you write a zombie story. It would seem that the social commentary would lead to a lot of exsposition, which makes for bad writing.

Sunday, September 26, 2010

What is Slam



[caption id="" align="alignright" width="300" caption="Image via Wikipedia"]Without Words[/caption]


What is Slam?

Not the regular wham bam thank you ma’am

Of cutesy rhyme, diminutive Haiku, or Senryu

Slam doesn’t gently tease your head, foundling your words, lightly kissing your metaphors, caressing ever so slightly your images, your beliefs.

Slam grabs your poetic cock greedily,

And shoves it in its mouth

And swallows.

Swallows your preconceived notions assumptions beliefs and your sacred cows.

Slam ties you to the bedpost screaming

Now you’re my bitch! Think for yourself.

You’re– my bitch! Now think for yourself.

Think for yourself!

If it feels right, do it.

If it sounds right, say it.

If it makes your audience uncomfortable

If it makes them think

SCREAM IT!

SCREAM IT!

Make them scream it!

Make them scream, breathlessly, hearts pounding, ideas erupting

Wanting more, needing more, rhythmically writhing

Grinding

Grinding words,

Words and meanings, ideas and metaphors

Slam grabs its audience and makes them

Makes them give up the one night stands

Of rhyme and Haiku

And Senryu

Slam.

Slam makes them–

Slam makes them want to swallow their own sacred cows.

Friday, September 24, 2010

Five Sentences to Imitate: Before and after



[caption id="" align="alignright" width="240" caption="Image via Wikipedia"]Songs of the Muse[/caption]


As promised, in yesterday’s post, I have bribed my muse with the words of Douglas, London, White, and Golding. If you didn’t try the exercise you really should. If you didn’t read yesterday’s post here’s the activity in a nutshell. Take a great sentence from another author and imitate it. Use their grammar as a framework and insert your words.

Here are my revisions to the five sentences, nothing too deep, but neither am I.  Taking the time to rewrite them certainly has got my muse waking up a little bit. I think I even feel a poem coming on.

My Sentence: There—and his hands adjusted the scope—was a place to be in for the kill, not far from the target, so that if the humanity of the his spirit emerged he could at least mix with humans disappearing  for the time being.

The Original: Here—and his hands touched grass—was a place to be in for the night, not far from the tribe, so that if the horrors of the supernatural emerged one could at least mix with humans for the time being. –William Golding, Lord of the Flies

My Sentence: If there was no truth—and almost certainly there was no truth—to hell and be done; but if there was something waiting beyond mountains, what was the use of the knowledge, distorted by the mind and carrying only antiquated dreams?

The Original: If there was no beast—and almost certainly there was no beast—well and good; but if there was something waiting on top of the mountain, what was the use of three of them, handicapped by the darkness and carrying only sticks?– Jack London, White Fang

My Sentence: We explored the stars, solemnly, where the cosmic spores wisped off the nebulas and dug their way into the fabric of time

The Original: We explored the streams, quietly, where the turtles slid off the sunny logs and dug their way into the soft lake bottom.
–E.B. White “Once More to the Lake”

My Sentence: He was dancing, heavily, among the tomb stones and broken dreams, when a sprite, a vision of light and dreams, flashed upwards with a witch-like cry.

The Original: He was clambering, heavily, among the creepers and broken trunks, when a bird, a vision of red and yellow, flashed upwards with a witch-like cry.
William Golding, Lord of the Flies

My Sentence: “That solemn child, under the influence of the pixies, soon became vibrant with life; that soul, made of sorrowful images, changed to one of love and magical dreams; and that graven face gave place to that of an angel.”

The Original: “That cheerful eye, under the influence of slavery, soon became red with rage; that voice, made of sweet accord, changed to one of harsh and horrid discord; and that angelic face gave place to that of a demon.”– Fredrik Douglas, Narrative of the life of Fredrick Douglass


Thursday, September 23, 2010

Bribing your muse: 5 Sentences worth imitating.

My muse is Lazy and doesn’t really want to do much work, so I’m bribing her with other people’s words. This is a great tool for any muse deprived writer. Basically it’s an exercise in imitation, you take another writer’s sentence, one that really stands out to you, and “borrow" its structure. You use their grammar, rhythm and flow, but add your own words and flavor. Here’s an example of what I mean. It’s from an essay I wrote called Henrietta and the Flying Car.


That didn’t discourage me though I enjoyed driving my little blue convertible, but even more I enjoyed dreaming of my flying car. I enjoyed dreaming of letting my earthbound tires fall away, and of escaping another day, flying over roads, over roads and fields, effortlessly, freely away from Oklahoma, away from people, away from anyplace at all.


Obviously my Muse was on overtime when she inspired that. Actually she wasn’t, she fell in love with Annie Dillard’s muse, the one that inspired living like weasels. She read this:

I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you. Then even death, where you're going no matter how you live, cannot you part. Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.

Imitation can be a great tool for getting your muse going, but you’ve got to have inspiring sentences to imitate. Here are five that are definitely worth imitating. I'll post tomorrow what my muse comes up with. I challeng you to give it a try and post your creations in the comments area. I'll post yours to the blog as well. It won't make you famous but you'll have fun trying.

"That cheerful eye, under the influence of slavery, soon became red with rage; that voice, made of sweet accord, changed to one of harsh and horrid discord; and that angelic face gave place to that of a demon."-- Fredrik Douglas, Narrative of the life of Fredrick Douglass

Here—and his hands touched grass—was a place to be in for the night, not far from the tribe, so that if the horrors of the supernatural emerged one could at least mix with humans for the time being. --William Golding, Lord of the Flies

If there was no beast—and almost certainly there was no beast—well and good; but if there was something waiting on top of the mountain, what was the use of three of them, handicapped by the darkness and carrying only sticks?-- Jack London, White Fang

We explored the streams, quietly, where the turtles slid off the sunny logs and dug their way into the soft lake bottom.
--E.B. White "Once More to the Lake"

He was clambering, heavily, among the creepers and broken trunks, when a bird, a vision of red and yellow, flashed upwards with a witch-like cry.
--William Golding, Lord of the Flies

Wednesday, September 22, 2010

Woo Your Muse by Killing Your Inner Editor.



[caption id="" align="alignright" width="300" caption="Image via Wikipedia"]The Muse[/caption]


Anyone who’s been reading the blog knows my muse and I seem to have a disagreement and she split.

Since she left, in an attempt to make her jealous, I’ve been writing about politics. Politics like all rebounds has worn me thin. Sure it’s a cheap date and a quick thrill, but when you wake up in the morning it isn’t pretty.  In fact politics is pretty shallow and soulless.

With nanowrimo “write” around the corner I need to woo my muse back.  The first step is to get back in writing shape. I need to start out with the basics and recondition my mind to win her back.

Before I can start that I need to do one thing first. Kill my inner editor. I can’t think of how many students I’ve given that advice to. Kill your editor.

Writers write. It’s a simple enough statement, that I’ve even blogged about before; but very difficult to do, especially in the age of Word. Those squiggly red lines are enough to drive a man over the edge. They taunt you, like a school yard bully, daring you – double dog daring you—to stick your tongue to the flag pole. The flagpole of correction, so it’s toady, your inner editor, can trap you, frozen and lifeless in the cold.

Your inner editor may seem like a helpful friend; after all he has your best interests at heart. He wants your story to be perfect. He’s not. In fact he hates your writing and you need to kill him. He will keep you from getting your ideas out. If you take the time to edit as you go six pages can take hours or days or forever. Agonizing over every comma, word choice, descriptor shuts the writing process down.

It also kills the fun.  It can destroy a great idea and turn inspired writing into drudgery. Worse than the buzz kill it chases away your muse. She can’t stand to be ignored while you edit. She can’t stand the misery and drudgery of the inner editor.  And neither can I.

Tuesday, September 21, 2010

Get started writing.

I had a long conversation last night about writing and was kind of challenged to try nanowrimo( it's a challenge to write a 50 k manuscript in a month) this year. I've been thinking too much about politics lately and not enough about writing for fun.

Granted most of my political rants underscore the fiction I write, but I haven't really been letting that material filter it way through the collective stream and surface as distopian futures. Instead I've been grabbing it prematurely, using it, and spitting it out. I hope the political spectrum can live without me for a while, because I'm going to try and let the ideas mature before I have my way with them or they with me.

I stumbeled across this article today about writing a book I haven't tried the tips yet, but I'm going to. There are mostly  websites to help you structure a book and being a geek relapsing they seem write(pun intended) down my alley. Besides If I decide to enter nano I'll need a well devised plot line before November and these might help.

Wednesday, September 15, 2010

The house droid is here. Now where are the flying cars?



[caption id="" align="alignright" width="300" caption="Image via Wikipedia"]The Android Invasion[/caption]


This maybe one of the coolest thing I've seen in a while. It looks like the home android is right aroung the corner. I'm not talking about the clunky broomba or scooba, but an honest to go android. Watch to video to see it's range of motion, it's amazingly agile. Or read this article for more details.house droid

I guess being a grumpy guy I should be screaming about Terminator, or West World, or the loss of jobs, but really this is so cool. I think we need to try and recapture our optimism, the kind seen by the 50's sci fi writers.

Sure we don't have jett packs and haven't colonized the stars, but it looks like we're getting droids. If we can do that maybe we can inspire a whole new generation to look towards the future rather than trying to recapture the past. (yeah I get the irony.)



Tuesday, September 7, 2010

Fred of the Dead



[caption id="" align="alignright" width="240" caption="Image by Paul Lowry via Flickr"]Mr. Rogers[/caption]


My brother sent me a link to an interview with George Romero. link I t was interesting to see how Romero got his start, but more interesting was who he got his start with. George Romero first starting making films for Mr. Rodgers.

I knew they both were from Pittsburgh, but I never would have but the two together in my mind. Granted I have a pretty twisted mind, but that combination just never happened. Although now that I think about it I can see how the two got a long so well.

Both of them were selling a positive version of human nature. Romero's decidedly a little more twisted version, but positive none the less. If you think about it Zombies spread so fast because we don't mindlessly kill on sight. People get bit because they want to give the person/zombie a chance. If we were all mindless killers with no thought to pulling a trigger on another person then there wouldn't be a zombie plauge.

Mr. Rodgers sold the same message. We are all basically good and everyone should be treated like a neighbor. Maybe it's that message, taught to us when we were very young, that makes us incapable of pulling the trigger without hesitation. If that's right I think Mr. Rodgers may be the cause of the Zombie Appocalypse.

Sunday, September 5, 2010

Steampunk Asthetic

I find myself more and more attracted to steampunk. Maybe I'm just jonging for a time that never was, or maybe it's just the beauty of some of the peices, I'm not sure.

If you're not sure what steampunk is don't feel bad, the term is hotly debated.  Basically it's imagining the victorian worls as if it existed today. Or imagining today's tech with a victorian asthetic.

Rather than try to describe it, I think it's just better to show you the best steampunk has to offer.

It's not just about computers, but as I'm typing this on my Toshiba and you are reading it on a computer or handheld device they seemed like the best images.

I would love the devices I use every day to have as much form as they do function.  I think in our mass produced world we have sacraficed a asthetic that we need to revist.

What if our everyday objects were artistic as they were beautiful?

Wednesday, September 1, 2010

I think the future's finally here.

I like to read the old popular science articles proclaiming the world of tomorrow, which is usually the world of today or about twenty years ago. I get a very self-indulgent pleasure hearing predictions of jet packs and flying cars that never happened. So many predictions got it so wrong, and yet we do live in an amazing time.

A time where I can teach classes all over the world ... and never leave my home office. A time where my IPOD has more computer power than all of NASA  in the 60's. Here's a video that got it mostly right, kind of cool to watch the home of the future. Which was their vision of ten years ago.

Enjoy.

[googlevideo=http://video.google.com/videoplay?docid=1872819748007083565#docid=4796674762025998102]